When John Peck and I originally started writing the books which became The Charming Tales, we started with an outline that we both agreed upon. I remember being very excited about beanstalks, geese that could lay golden eggs, witches who lived in gingerbread houses and how our two main characters would deal with all of them.
And as we wrote, all of those exciting ideas blew away like a straw house facing off with a big bad wolf.
Our characters, particularly Liz Pickett and the rescued Princess Gwendolyn, suddenly took the plot into their own hands. We realized that we couldn’t write the book and follow the outline. The characters wouldn’t let us. We had too many questions about what they would do, and we both discovered that we were much more interested in what would happen to them than what would occur in our original plot.
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